Inspired Guide: A Question of Talent

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When it comes to photography, London is not just the sum of an incredible array of topics, but a precious hub for displaying the results. So, with long nights and cozy interiors, November seems to be a favorable time to visit exhibitions. Hereโ€™s two of them.

On the north bank, at Somerset House: Cartier-Bresson: A Question of Colour. Itโ€™s one of those tiny, free of charge, yet pretty dense exhibitions set in flamboyant rooms. Thereโ€™s plenty to take from this one. It features 10 Cartier-Bresson photographs never before exhibited in the UK, alongside over 75 works by 14 international acclaimed photographers. It all starts with Cartier-Bressonโ€™s affection for black and white photography, yet the exhibition is full of colour and it will leave you stuck in some sharp memorable greens and reds. Itโ€™s a matter of minutes, but it feels like youโ€™ve seen a couple of hours of documentaries. The challenge to capture the โ€˜decisive momentโ€™ in colour photography too is met in this surprisingly passionate display of unique moments and stories. Definitely a question of talent.

Henri Cartier-Bresson/Magnum Photos

On the south bank, at the Royal Festival Hall: The World Press Photo 2012. It paints a grim picture of the world during the past year. Revolutions, mass killings, nuclear disaster, natural disasters, injustice, to name just a few of the topics. Itโ€™s an international showcase of 169 award-winning photographs that set a standard in photojournalism. But beyond the skills of the photographers, what will stick with you are the tension and the pain of a suffering world. It even comes with a warning, and itโ€™s not recommended for a โ€˜young audienceโ€™. Unlike other years, there are too few pictures (if any) that will make you smile. Itโ€™s one short walk that will drain you out and keep you wondering whatโ€™s wrong with this world, while youโ€™re making your way out through the happy talkative Southbank crowd sipping wine.

Samuel Aranda, Corbis/NYT/World Press Photo

Actually, this could be a good time to rush over Waterloo Bridge straight into Cartier-Bressonโ€™s search for โ€˜decisive momentsโ€™, away from the disturbing specter of now.

Dates

Cartier-Bresson: A Question of Colour from Nov 8 until Jan 27
The World Press Photo 2012 from Nov 9 until Nov 27

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